Swept along by an early
autumn breeze Jimmie and his father arrive at their miserable tenement
building. Bedraggled clothes flap from the fire escapes, disordered women
gossip and quarrel, withered old persons sit listlessly on the ground and
babies are left to fight amongst themselves. The building itself is full of
the odors of cooking food and loud noises that betrayed the weight of humanity
bound inside it. Jimmie and his father encounter Jimmie's younger sister
Maggie dragging their baby brother Tommie down the alley. The bawling baby
resists his sister's attempts to force him home. When Maggie sees Jimmie's
torn clothes and bleeding face she cries out: "Ah, Jimmie, youse bin fightin'
agin." To which her brother responds: "Ah, what deh hell, Mag. See?" The girl
begins to weep with the realization that their mother will be upset and the
whole family is likely to suffer as a result. Jimmie smacks his sister in the
mouth to stop her crying and the stunned girl retreats cursing. Seeing this
Jimmie's father upbraids his son and wonders aloud why the boy never learns
anything from the beatings he gives him. Jimmie curses his father as the whole
group makes its way up grimy staircases and down gloomy halls. They enter
their apartment where their mother, a large woman, is doing battle with a
seething stove and a table covered in pans. The woman sees that her son has
been fighting and explodes with anger. Knocking the howling baby to the ground
she grabs Jimmie and violently shakes him before taking him to a filthy sink
and vigorously scrubbing his wounds. Jimmie cries in pain and tries to
escape. The father, who sits by the stove smoking his pipe, yells at his wife,
whose name is Mary. The father complains that he can't get any rest because
Mary is always pounding one of the children. He accuses her of being drunk and
the husband and wife fall to arguing violently and the children cower. Maggie
crawls over to her brother who refuses to let her clean his wounds. Instead he
turns to face the wall. The father storms out of the house to go get drunk and
Mary screams after him. She returns to the stove, stirring up the children in
the process and eventually produces a pan of fried potatoes that the hungry
children desperately consume. Mary drinks from a bottle while they eat. She
becomes somber and weeps as she puts Tommie to bed. Maggie struggles do clean
the dishes while Jimmie nurses his various wounds and cautiously watches his
mother weeping and drinking by the stove. Maggie accidentally breaks a plate
and Mary roars to life. Jimmie flees and runs down to the next floor where an
old woman opens a door and says: "Eh, Gawd, child, what is it dis time? Is yer
fader beatin' yer mudder, or yer mudder beatin' yer fader?"
Analysis of Chapter 2
In this chapter we meet
Maggie - a young girl dragging her baby brother home through an alley. She is
characterized as simply another product of the rough and tumble Bowery
environment caught in the cycle of violence of hypocrisy. She takes issue with
Jimmie because his behavior will mean trouble at home and receives a slap in
the face. Their father upbraids him for hitting her in the street. The
father's insistence that the act is wrong only because it is in public is the
first hint that the morality of respectability still applies to their world.
At home the mother, Mary
Johnson, dominates the action. Seemingly bereft of maternal feelings she not
only responds to her son's wounds by doing more violence to him but she knocks
her baby aside in the effort. Maggie shows genuine sympathy for her brother
when she asks if she can help clean his wounds but he refuses and occupies
himself with thoughts of revenge upon a member of the Devil's Row gang. Thus
does Jimmie project his family's violence outward into the larger world. When
Mary turns on Maggie, Jimmie flees the apartment and leaves his sister to be
beaten. We learn that this is a common occurrence in the family when the old
woman wearily wonders aloud who is beating whom in the apartment this time.
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